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The Publication Division

Person in Charge: TANIKA BHATTACHARYA

The first publication of MUSIC is a journal accompanied by a CD ROM exclusively on Bangla Kirtan – Bengal’s only original classical form of music. This is a unique attempt and will hopefully succeed in explaining the objectives of MUSIC to the readers.

The contents of the Journal are illustrated below

EDITOR:  TANIKA BHATTACHARYA

COVER:  ILLUSTRATION BY NIRMALYA GUHA, LAYOUT DESIGN BY SNIGDHADEB SENGUPTA

The Many Faces of Bangla Kirtan

The sophisticated touch of Bengali thought which characterizes kirtan is unmatched by all other forms of devotional music across India.
The true significance of kirtan lies essentially in music, over and above its historical, social and religious implications. And that is a real reward.

BY SUDHIR CHAKRABARTI
TRANSLATION BY NILANJAN DAS

Kirtana: Speaking in Musicking

It is matter of regret, that this type of high quality song is now endangered. I think it is very difficult to preserve all the subtleties of high quality musicking in these days of speed capitalism.

BY DEBAPRASAD BANDYOPADHYAY

Revisiting Time: A Partial Reading of Vaishnav Padabali

In the late century Vaishnavgeeti was on the one hand popular but on the other measured by utilitarian time was also condemned. However it appears that dimension of time represented in Vaishnav literature, was being neglected by progressive concept of time.

BY BISWAJIT RAY
TRANSLATION BY TAJUDDIN AHMED

Srimati Sukla Hazra in interview with MUSIC

“… one can hardly say that Kirtana is a folk tradition. Of course Kirtana is influenced by many folk and regional traditions. But it has every feature of a classical musical system.”

INTERVIEW BY TANIKA BHATTACHARYA
TRANSLATION AND TRANSCRIPTION BY NILANJAN DAS

For the live audio recording of the interview, refer to track 3 of the CD

Styles and Gharanas in Kirtan

The Rarh region in Bengal is a seat of music. The Vaishnavas, after the advent of Sri Mahaprabhu, established various new centers of intellectual pursuitsand music at such places. Among them Srikhanda and Kandara the relatively old centresand Moynadal, a new one, were all situated in Birbhum.

BY KAUSHIK CHOUDHURY
TRANSLATION BY TANIKA BHATTACHARYA

For demonstrations of various gharanas of Kirtan refer to track 4 of the CD

The Talas of Sri Khol

The tala system of Sri Khol has its parallel in the tala system of Tabla the main accompanying percussion instrument of the Hindustani Classical Music. The reason behind this similarity is obviously structural.

BY KAUSHIK CHOUDHURY
TRANSLATION BY TANIKA BHATTACHARYA

For demonstrations of the talas refer to track 2 of the CD

DEPARTMENTS

  • EDITORIAL
  • IN CONVERSATION : Sri Sandipan Samajpati, after becoming the first recipient of the Sangeet Natak Akademi Ustad Bismillah Khan Yuva Puraskar, in conversation with Snigdhadeb Sengupta, the Secretary of MUSIC.

And much more ...

THE JOURNAL COMES WITH A FREE GIFT: AN AUDIO CD-ROM

THE CD-ROM INCLUDES THE FOLLOWING ITEMS:

  1. Sri Kaushik Chowdhury, a renowned Sree Khol (a classical percussion insrument traditionally used as an accompaniment with Kirtan) player has contributed an article to the journal. The article is titled “Talas of Sree Khol”, where Sri Chowdhury has sighted twelve different rhythm schemes, used with Kirtan. In the C.D. ROM, Sri Chowdhury demonstrates these talas to provide easy practical references to the readers.
  1. Also in the C.D. ROM will be a full-length interview (recorded live) of Smt. Sukla Hajra (daughter of the legendary KirtaniyaKirtanrasasagar Rathin Ghosh) and Sri Dinen Nandi, two veterans who have devoted their careers for the advancement of this classical form of music. We conclude the C.D. with demonstrations of specimens from the five different Gharanas of Bangla Kirtan sung by Smt. Hajra and Sri Nandi. These will provide a frame of reference for the readers in relation to an article by Smt. Tanika Bhattacharya, who has the responsibility to edit the journal on behalf of MUSIC.

Subsequently the Publication Division of MUSIC has published a special volume to commemorate the 40th year of the release of Satyajit Ray’s “Goopy Gyne Bagha Byne”, the most memorable chapter in the history of Bengali musical cinema. The volume was titled BHARSHAPHURTI.

The contents of this special publication are as follows:

EDITOR : SNIGDHADEB SENGUPTA

COVER : LAYOUT DESIGN AND EXECUTION BASED ON AN ADVERTISEMENT DESIGNED BY SATYAJIT RAY

BY SUBHASISH SUR AND SNIGDHADEB SENGUPTA

PHOTOGRAPHS: MOSTLY FROM THE ARCHIVE OF SRI NEMAI GHOSH, THE RENOWNED PHOTOGRAPHER

AND

THE PHOTOBIOGRAPHER OF SATYAJIT RAY and also from the archive of AAJKAAL

STILL FRAMES FROM THE FILM: COURTESY – SMT. PURNIMA DUTTA (of Purnima Pictures)

This volume includes special contributions from

  1. Sri Dulal Dutta - the editor of the film and several other Satyajit Ray films
  2. Sri Soumyendu Roy - Cinematographer of Goopy Gyne Bagha Byne and several other Satyajit Ray films
  3. Sri Nemai Ghosh - renowned photographer and photobiographer of Satyajit Ray
  4. Sri Tapen Chattopadhyay - the man who brought Goopy Gyne alive on screen
  5. Sri Anup Ghoshal - the voice of Goopy
  6. Sri Subhash Chowdhury - eminent musicologist
  7. Sri Kalyan Sen Barat - eminent stage personality and musician, director of the stage-drama produced by Calcutta Choir, based on Goopy Gyne Bagha Byne
  8. Sri Sandip Ray - eminent film-maker and son of Satyajit Ray

and much more…

TO ORDER A COPY OF THE JOURNAL:

E-MAIL YOUR NAME, ADDRESS, PHONE NUMBER (MOBILE AND LANDLINE / RESIDENCE AND OFFICE) TO:

studyofsangeet@yahoo.co.in

WE WILL GET IN TOUCH WITH YOU AND LET YOU KNOW ABOUT THE FORMALITIES.

PLEASE MENTION WHICH PUBLICATION YOU ARE ORDERING (KIRTAN OR BHARSHAPHURTI)

DELIVERY CHARGES PAYABLE FOR OUTSTATION ORDERS

SPECIAL OFFERS FOR ORDERS OF BOTH JOURNALS TOGETHER

 
 
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